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But like the Babylonian figure of Growing Stronger, this large patriarch isn’t a figure of contemporary life, but an echo of a resurgent classicism. Images of rulers, emperors, and patriarchs a reminder that Schneider was born into an imperial political system. Text from Wikipedia, where a good gallery of further work by Schneider can be found. He was buried in Loschwitz Cemetery, Germany.” As a result he collapsed and died in 1927 in Swinemünde. Schneider, who suffered from diabetes mellitus, suffered a diabetic seizure during a ship voyage in the vicinity of Swinemünde. After 1918, he co-founded an institute called Kraft-Kunst for body building. Some of the models for his art works trained here. When the First World War started, Schneider returned to Germany again, taking up residence in Hellerau (near Leipzig). He then traveled back to Germany, where he lived for six months in Leipzig before returning to Italy, where he resided in Florence. In Italy, Schneider met painter Robert Spies, with whom he travelled through the Caucasus Mountains. Schneider fled to Italy, where homosexuality was not criminalised at that time. Jahn began blackmailing Schneider by threatening to expose his homosexuality, which was punishable under §175 of the penal code. A year later in 1904, Schneider was appointed professor at the Großherzoglich-Sächsische Kunstschule Weimar.ĭuring this period Schneider lived together with painter Hellmuth Jahn. In 1903 he met best-selling author Karl May, and subsequently became the cover illustrator of a number of May’s books including Winnetou, Old Surehand, Am Rio de la Plata. During his childhood his family lived in Zürich, but following the death of his father, Schneider, moved to Dresden, where in 1889 he became a student at the Dresden Academy of Fine Arts (Kreuzgymnasium). “Schneider was born in Saint Petersburg in 1870.
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Please click on the photographs for a larger version of the image. Many thankx to The Leslie-Lohman Museum of Gay and Lesbian Art for allowing me to publish the art work in the posting. *PLEASE NOTE THIS POSTING CONTAINS ART WORK OF MALE NUDITY – IF YOU DO NOT LIKE PLEASE DO NOT LOOK, FAIR WARNING HAS BEEN GIVEN*
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Tags: Athlete in Basic Position, classical conception of the gymnasium, Der Fürst der Verdammten, Dresden Academy of Fine Arts, early twentieth-century Germany, ephebes, ephebic youth, erotic dimension of female nudity, first modern gay-rights movement, free body culture, Freikörperkultur, Gay and Lesbian Art, gay people, generalizing a gay aesthetic, German art during the interwar years, German artist, German culture, German drawing, German manhood, German painting, gymnasium, Hans-Gerd Röder, Health and Hygiene Movement, Hellmuth Jahn, history of sexual regulation, homoerotic sensibility, Homoeroticism, Homoeroticism and the Male Form, Homoeroticism and the Male Form circa 1900, homosexuality, homosexuality in interwar Germany, idealised youthful beauty, image of German manhood, Institute for Sexual Research, Karl May, Kraft-Kunst, Kraft-Kunst-Institut, Kreuzgymnasium, Leslie-Lohman Museum of Gay and Lesbian Art, Magnus Hirschfeld, male beauty, Male Form, Mammon and his Slave, manliness, modern gay-rights movement, Nude in Public, Nude in Public: Sascha Schneider, Nude in Public: Sascha Schneider Homoeroticism and the Male Form circa 1900, palaestra, Prince of the Damned, Robert Spies, Sascha Schneider, Sascha Schneider Athlete in Basic Position, Sascha Schneider Feeling of Dependency, Sascha Schneider Hypnotism, Sascha Schneider Mammon and his Slave, Sascha Schneider Patriarch, Sascha Schneider Rear View of Nude with Towel, Sascha Schneider study of a reclining male nude with tucked up legs, Sascha Schneider The Anarchist, Sascha Schneider Triumph of Darkness, Sascha Schneider War Cry, study of a reclining male nude with tucked up legs, The Cultural Conflict, The Leslie-Lohman Museum of Gay and Lesbian Art, the Male Form circa 1900, the Nazis, Triumph of Darkness, youthful beautyĮxhibition dates: 20th September – 8th December 2013 Categories: beauty, drawing, exhibition, existence, gallery website, illustration, intimacy, painting, portrait, sculpture and works on paper